Here are a few attempts at an entirely different approach to the invitations, which I think works really well. This approach allows for an interesting composition of elements on both sides of the invite, on the readable side, the text is all set in the same size and uses only a bolder weight to separate out important information. The opposing side, using bits font, using this approach, resembles much more lines of code, and I think moves it away from the typographic layouts.
These examples look more at colour, which will probably be stock. I want to letterpress these as I think it will make them much more tactile, the copper etching plates are all leading to this process, however I'm not sure about these colours.
When considering that I'd like to letterpress these invites, I started to think about the colour ways that I could use, taking into account stock, and how they relate to the subject of the brief. Here I have used Metallic Pantones as I felt that these reflected the nature of the 'sound bites' in that they are digitally recorded. When thinking of digital technology the first thing that comes to mind is microchips and so on, where terminals are connected by copper tracks. Also letterpressed copper onto grey stock would look very enticing.
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